Vision Research Paper Example | Topics and Well Written Essays - 2500 words

Vision - Research Paper Example At the end of the process, there is the consolidation of the gains by the organization before ending the process by anchoring the change (Cameron and Mike 187). The success of any organization usually comes about due to the joint efforts of all stakeholders within the organization especially in decision-making. This calls for the engagement of every person within an organization in the coming up with a vision and its communication so that the business achieves its mission and objectives presently and in the future. This underscores the importance of vision to any business that operates in any environment, which must carefully adopt changes especially in its vision to align it with the dynamism of the operational environment. In this work, our focus will be on vision, what and how it should be and the reason for having the vision within an organization. Vision is important to any organization as it will determining the success of the business as it gives the process through which the business is to be run and the expected benefits. This means that having a strong vision and the strategy for executing it is important in the carrying out of change within any organization. According to Kotter, having an effective vision helps the company to define its future by conveying a picture of what it will look like as well as knowing the realistic and attainable goals. The vision also helps in knowing the long-term interests of the employees and guidance on the decision-making goals of the organization. A clear vision for an organization helps in allowing individual initiative and the possibility of having alternatives especially when the conditions within the organization change. According to Kotter, the management of change within an organization is important for the planning and the control off the processes within the organization that are geared towards transforming the way it is run

Police Pursuits Essay -- Law Enforcement

There are virtually an unlimited amount of aspects about police work that places them in harm’s way every day. Some of which officers are trained to mitigate and exercise some form of control over while others are mostly out of police control. Vehicle pursuit is one instance where police have little control over and thus must adopt a mostly reactionary response rather than a proactive approach. Police officer training and preparation for such pursuits are conducted during their initial phases of training and some receive advanced Emergency Vehicle Operational and Control (EVOC) training that they will bring back to their respective agencies to provide training for the rest of their fellow officers. This is only in response to an increasingly dangerous and costly increase to the amount of police vehicle pursuits over approximately the last decade. But why are criminals increasingly running from police? Since the inception of police as a profession, the ‘bad guys’ have always tried to escape justice form the ‘good guys’ in an attempt to continue their lawless and criminal activity. However as times have changed from horseback chases in rural country landscapes to heavy and speeding vehicles in urban settings, the danger to innocent life has increased exponentially. Some has argued that a ‘contempt of cop’ attitude adopted by police in where the officer attempting to make the stop is offended or slighted and therefore acts aggressively to make an apprehension. A possible reason for this is the adrenalin rush rendering officers to adopt an aggressive and overly focused mindset causing them to experience myopia and auditory lockout (Schultz, Hudak, Alpert, 2009) Others claim that an increased lack of authority and an increase in se... .... Until courts and the public start shifting the volume of blame towards the suspect who failed to stop for police, suspects will continue to put us, the law abiding public, at risk. Works Cited Alpert, G. & Smith, W. (2008). Police Pursuits After Scott v. Harris: Far from Ideal. Police Foundation:. Ideas in American Policing. June, 2008. Hill, J. (July 2002) High-Speed Police Pursuits: Dangers, Dynamics, and Risk Reduction. FBI Law Enforcement Bulletin. July 2002. Oyez. (n.d.) Scott v. Harris. Retrieved on April 03, 2012 from http://www.oyez.org/cases/2000- 2009/2006/2006_05_1631 Schultz, D., Hudak, E., Alpert, G. (2009) Emergency Driving and Pursuits: The Officer’s Perspective. FBI Law Enforcement Bulliten. April 2009. Scott v. Harris. 550 U.S.___(2007). Retrieved on April 02, 2012 from http://www.supremecourt.gov/opinions/06pdf/05-1631.pdf

Paul Poiret Biography

Name: Paul Poiret [pic] Born April 20, 1879— April 30, 1944 Biography: †¢ Born in Paris to a wealthy family an attended a Catholic lycee. †¢ After school he started an apprenticeship with an umbrella maker, which did not suit him. †¢ In 1896, as a teenager, he began working for Jacques Doucet, a prominent Parisian couturier of the time. †¢ In four years Poiret worked up the ranks to become head of the tailoring department for Jacques Doucet. †¢ Poiret designed for many actresses of the time, while working on the play L'Aiglon, he snuck into a dress rehearsal and his harsh critique of the sets and costumes got him fired from the movie.But, that did not stop actresses from requesting his designs. †¢ Joined the House of Worth in 1901 as an assistant designer, there he deigned clothes in a stark contrast to the opulent garments from Worth; his were more for the everyday woman. While he felt himself that his fellow designers looked down on him for his more simplistic designs, they were commercially very successful. †¢ While at the House of Worth, Poiret designed his first Asian-inspired piece, which was a simple Chinese-style cloak called Confucius.It offended a Russian princess, who though it was too simple, and not grand enough for anybody but peasants to wear. After opening his House of fashion the mandarin-robe-style cloaks were best sellers. †¢ In 1903 he opened his own couture house, in 1909 he relocated to a very large and spectacular location with a parterre garden. †¢ In the October 1908 publication of Les Robes de Paul Poiret, it featured Poiret’s designs using the pochoir method of printing, giving the images brilliantly saturated areas of color. Poiret worked with artist Paul Iribe to achieve this.Who juxtaposed Poiret’s graphically striking clothes to stylishly arranged backgrounds. With this they helped fuse fashion and art even further. †¢ Also, in 1908 Poiret introduced his lean, high-waisted silhouette. Featuring narrow lines, high waists, covered arms, and low decolletes, making the hourglass silhouette passe. †¢ Poiret’s designs removed the corset, which interfered with his narrow lines, and with that many other designers followed and corsets started to become a thing of the past. †¢ The Poiret Rose became a trademark for the designer after a hree-dimensional silk chiffon rose was sewn to the empire bodice of Josephine, one of the 1907 dresses that was featured in Les Robes de Paul Poiret. †¢ While producing his second album of designs, Les Choses de Paul Poiret (1911), Poiret asked artist Georges Lapape for inspiration for a new look. But Mme. Lepape was the one who inspired one of his most iconic designs, the jupe-culotte, with her sketch. †¢ In April of 1911 Poiret opened Martine, named after one of his daughters, which was a school where creativity could flourish and not be stifled by discipline or only being taught one way. Also, in the same year, 1911, the house of Poiret introduced their first fragrance, Rosine, named after another daughter. Poiret was involved in every aspect of the production of the fragrance. He expanded the fragrance to include soaps and lotions, which was then replicated by other designers. †¢ Poiret was a military tailor throughout the war and had to relaunch his business in 1919 after the war was over. †¢ But by 1929 the House was doing poorly and he sold his business, it is due to this that he lost the rights to his name. Poiret passed away on April 28th 1944 from Parkinson’s disease. Signature looks: [pic] [pic] [pic] Significance: Paul Poiret was incredibly significant because he pushed the boundaries on what was then considered fashion. He changed the shape of the femal body with his daring silhouettes. Poiret revolutionized the way fashion photography was done and essentially created editorials. Poiret also is a great example of a â€Å"spirit of the ti mes† with his lavish lifestyle and designs; he very much captured the spirit of the 1910’s and 20’s.Poiret was influenced by many other cultures and would often bring it in to his designs, especially Asian and Persian. The softly ballooning legs, turbans, and tunic effect become Poiret signature looks. Poiret is regarded by many as the first genius of fashion; he himself proclaims that he is the â€Å"King of Fashion† in his autobiography of the same name. He is also the first designer to have come out with a beauty line, which has since set the standard for fashion houses. Signature Looks Today: [pic] [pic] Works Cited †¢ Caroline Milbank, A-Z Fashion, Berg Fashion Library, Berg Publishers, online, 10/21/12.Images Cited †¢ Online Image, Timeless Fashion and Art, 2007, 10/21/12 †¢ Online Image, Sun Sentinel: Fashion and Style, December 15th, 2011. †¢ Online Image, FIDM Museum Blog, FIDM, August 19, 2009 †¢ Online Image, Zappos. com , Zappos, 10/21/12 Online Image, Styleite. com, Styleite Paris Couture Week, July 6th, 2011 ———————– Poiret’s jupe-culotte and tunic, 1913. Poiret’s fragrance, featuring trademark rose. Asian influenced designs, 1913. Modern couture take on Asian-influence fashion. Baggy trouser pants similar to Poiret’s jupe-culotte.

Joseph Conrad s Heart Of Darkness And Francis Ford...

The concept of evil is often associated with supernatural powers or creatures, especially in fictional and religious texts. Monsters born from fiction, such as vampires, witches, and werewolves, are thought to be models of evil. Beings that possess supernatural powers that defy human understanding or logic. Many popular horror movies depict evil as a dark force that surrounds these creatures and the concept has continued to grow in popularity through the decades. Similar depictions of evil are even associated with creatures and supernatural powers in religious texts from various cultures around the world. However, evil is arbitrary, not supernatural. Today s culture has popularized the idea of good vs evil but the concept is far more†¦show more content†¦In general evil was characterised as the opposite of good, in which good should prevail and evil should be defeated. This in turn coined the term of good vs evil. Christianity, Buddhism, Sikhism, Hinduism, and many other rel igions all adopted the idea of good vs evil. The idea developed into many religions and it eventually formed into the belief of good vs evil. Prior to World War II there was very little philosophical literature on the concept of evil so the general agreement was that supernatural forces influenced good and evil. In the 19th century, the danger of evil was displayed during European expansion and the infamous Rush for Africa. The proper term in New Imperialism, which was a name given to the period of colonial expansion by European powers, Japan, and the United States. The time period saw a heavy pursuit of overseas territorial expansion. At the time first world powers were focused on growing their power, mainly through conquest and the exploitation foreign resources. During the era, these powers individually conquered almost all of Africa and parts of Asia, the wave of imperialism reflecting the rivalry between nations to obtain as much power as possible. However, this gave way to serious social implications that adopt the title of â€Å"The White Man s Burden.† The general attitude of first world powers towards other civilisations during imperialism was the need to bring civilisation to these people, whether they liked it or not.Show MoreRelatedA Renewed Sense Of Hopelessness : Americ an Sentiment Following The Vietnam War1395 Words   |  6 PagesHopelessness: American Sentiment Following the Vietnam War.† Since I’m interested in studying how film actively molded Americans’ interpretation of the Vietnam War, I picked Francis Ford Coppola’s film, Apocalypse Now, as my artifact. I thought that it would be a good choice because it’s one of the most well-known war films and it came out just a few years after the Vietnam War. 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